Hiba Schahbaz: Artist Extraordinaire in Bushwick Studio
Today, Hiba Schahbaz employs two distinct artistic media to convey her visions: oil on linen and watercolor and tea on paper. Remarkably, she carries out her creative process while seated on the studio floor, immersing herself entirely in the art she manifests.
A visit to Hiba Schahbaz's studio provides a profound insight into her artistic vision and the evolution of her craft. Her portraits speak volumes, resonating with themes of self-discovery and the multifaceted nature of identity.
For a closer look at Hiba's studio and to delve deeper into her artistic journey, please follow the link in our bio for a comprehensive exploration courtesy of @dhwendygoodman. Don't miss the rest of our #ArtStudiosWeek coverage, where we celebrate the vibrant world of contemporary artists.
East Hampton, NY – [09/09/2023] In the vibrant neighborhood of Bushwick, artist @hiba_schahbaz has transformed her studio into a captivating haven of self-expression and portraiture. Her workspace is an immersion into a world adorned with a rich tapestry of portraits, each painting a unique exploration of femininity, identity, and artistic evolution.
About Hiba:
Hiba Schahbaz is a prolific artist known for her captivating portraits, which offer a compelling glimpse into her journey of self-discovery and the multifaceted nature of identity. Originally from Pakistan, Hiba's art is deeply influenced by both her cultural heritage and her experiences as an immigrant in New York City.
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Schahbaz's creative journey began to flourish a couple of years after her arrival in New York City when she embarked on the endeavor of painting portraits. Initially, her canvases were filled with self-referential depictions, a striking mix of auto-portraits and representations of individuals from her circle. These captivating works are characterized by a palette dominated by deep pink and rose hues, enveloping both the studio floor and walls in a sea of color.
Reflecting on her artistic evolution, Schahbaz shares, "I started painting hundreds of myself and people I knew. I still have them somewhere. They were all in profile because in Mughal paintings, you have the side profile, and in Persian ones, you have three-quarters. I think it took me another couple of years to face outward." This journey of introspection and exploration has led her to create an extraordinary body of work that transcends conventional boundaries.